My friend Spendo and I discuss some details and the backround to some of our favorite Tarantino films (specifically Kill Bill and Pulp Fiction), which leads to a wider conversation about his legacy and place in the pantheon of American directors. We get into Robert Eggers, Lynch, and even Refn a little bit, as well as some Nietzsche and Baudriallard and the nature of making movies on film versus digital.
Quentin Tarantino
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